Just seen
@Nick replied to my previous comment. So one last view from my perspective on this. And I won't be replying to this any further.
We've had a change in setup and atmosphere at the CBS in the last couple of years. And I think most fans will agree it's been a positive move. WLADITT has been a part of that change and fans have connected with it. Hell, we sang it loud and proud at Wembley. The song, whether you admit it or not, has become part of our identity.
Seeing another team use it to promote their team and their journey to the Playoffs was seen by many on Twitter to dilute its impact with regard ourselves. That's what kicked off the Twitter furore. The arguments were not about its use prematch at Bolton. Those vocalising their protests were protecting what they thought was part of the image of Coventry City. Not asking if you agree with the reaction, just a statement of fact.
And a point was made that of all the songs out there, why pick that one when they could have chosen songs about Bolton or by artists from the town ? Coincidental that our use of it and particularly at a high profile game at Wembley has been reshown on social media multiple times. Comparatively, it's 15 yrs old and is hardly on regular repeat on the radio that I've heard of (not a streaming or Radio 1 fan).
Other points that have been raised:
YNWA is used at various grounds but it's synonymous with Liverpool and Celtic. It was also written in 1945 by Rogers and Hammerstein for the musical, Carousel. So doesn't have a true link to any club. But you don't think of other clubs when it plays.
Had fun with a Preston and Sunderland fan explaining that their combined use of "Can't help falling in Love" also doesn't create problems as it was written for Elvis Presley in the early 60's. And he had no declared interest in either fanbase. So neither can "claim" it as theirs.
On the flip side, how about "When the Saints/Spurs go marching in" ? Spurs get crap for using Southampton's song.
And for an extra mark, "Marching on Together" was written for Leeds specifically, as was "Keep Right On" for Birmingham. And rightly, noone challenges their exclusivity.
As for the band, Tom Clarke was born in Birmingham but moved to Coventry before he was 11 and was at Finham Park Comprehensive. He wrote WLADITT while living on Far Gosford Street. Andy Hopkins, bassist, is a Cov kid and is a self-proclaimed Cov fan. Liam, the drummer, is a Cov kid but wasn't a football fan when the song was written or released (from the last interview I saw with the band/him).
Finally....
Rather than let it get too inflated, I messaged John Dawkins as the ex-manager of The Enemy and asked his opinion and what the new management team may think, musically and our use ?
His response was simply that they'd be happy for the song to be getting more exposure and that younger fans would get to hear it. And that music is for everyone.
With that, the argument is over.
Music should be for everybody.
We move on.